Syncing SetDots
SetDots Production Cloud
SetDots replaces walkie chatter, group texts, and paper call sheets with one real-time command center your whole crew carries in their pocket.
@alert commands that flash every phone when it matters.
No install. Works on any phone, tablet, or laptop. Plans from $19/month — cancel
anytime.
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Now/next scene tracking with estimated vs. actual timing, so schedule slips show up while you can still fix them — not at wrap.
Drag-and-drop shot lists the 1st AD can reorder and lock. Every change reaches every phone instantly.
Channel-based messaging with replies, pins, and admin commands. An
@alert pushes a flashing banner to every device on set.
Generated from your schedule with weather, maps, and per-person call times. Crew open theirs with a QR code — no PDFs lost in email.
Bring in a whole StudioBinder project at once — every day, its scenes and its crew. Or forward a call sheet to your project’s private import address and let it land by itself.
Import Fountain, Final Draft, or PDF. Re-import a revision and SetDots diffs it — revision colors, omitted scenes, and a heads-up to anyone whose day moved.
Drop a strip on a day and that day’s shot list writes itself. The day out of days is calculated from your breakdown, never typed twice.
The DPR arrives pre-filled from the day SetDots just watched. At the end, one wrap book: script as shot, every report, releases, credits.
Incident logging, signed releases at the gate, and hospital and police non-emergency numbers on every call sheet — tied to each day’s permanent record.
Most productions run on a scheduling tool, a call-sheet app, a group chat, and a pile of spreadsheets — each one blind to the others. SetDots is the only one where the shoot day feeds the paperwork automatically, because it’s all the same system.
| What you need on a production | SetDots | Scheduling tools | Call-sheet apps | Chat + spreadsheets |
|---|---|---|---|---|
| Prep | ||||
| Import the script; re-import revisions and get a diff Fountain, Final Draft, PDF — revision colors, OMITTED scenes | ✓ | ✓ | — | — |
| Breakdown tagging with a derived day out of days Tag once; the DOOD is calculated, never typed | ✓ | ✓ | — | — |
| Stripboard that writes each day’s shot list Drop a strip on a day — the day is built | ✓ | Board only | — | — |
| Bring your whole existing project across Full StudioBinder export, or forward a call sheet by email | ✓ | Varies | Varies | — |
| The shoot day | ||||
| Live status every phone on set can see Rolling, on a break, moving — now/next, updated live | ✓ | — | — | By hand |
| Department readiness and set chat with priority alerts An @alert pushes to every device on the shoot | ✓ | — | — | Chat only |
| A public status board at the gate Printable QR sign; neighbours and vendors get a number to call | ✓ | — | — | — |
| Equipment & vehicle check-in with a map pin Where it is, when, and who — logged | ✓ | — | — | By hand |
| Releases signed at the gate, with evidence Drawn signature, photo, offline queue | ✓ | — | — | — |
| On-set lighting that follows the shoot status Hue, LIFX, Govee, or any webhook | ✓ | — | — | — |
| Call sheets | ||||
| Branded call sheets built from your own data No retyping — the schedule is already there | ✓ | Varies | ✓ | — |
| Published versions that show exactly what moved Frozen revisions with a change list on the sheet | ✓ | — | Resend | — |
| Tomorrow drafts itself from today’s actual wrap Turnaround applied; everyone’s times shift together | ✓ | — | — | — |
| After wrap | ||||
| A production report that fills itself in Built from the day SetDots just watched, not from memory | ✓ | — | — | — |
| Planned vs. actually shot, day by day Pace and overtime while you can still act on it | ✓ | — | — | By hand |
| One wrap book at the end Script as shot, every DPR, releases, credits, day timelines | ✓ | — | — | — |
| Crew export their own verified day actuals Call, check-in, wrap — the raw material for a timecard | ✓ | — | — | — |
Comparison is by category of tool, not by brand — individual products differ and keep shipping. The point isn’t any one row: it’s that prep, the day, and the paperwork are usually three different systems that never talk to each other. See it running →
Create an account, name the project, add shoot days.
Bring in the whole project, or forward a call sheet. Crew join from a link.
Everyone works from the same live dashboard, from call to wrap.
$19/mo
One production, the whole system — script to stripboard to call sheets to the wrap book. For solo filmmakers.
$79/mo
Ten productions, unlimited shoots, plus the live portfolio snapshot across your slate. For working producers.
$249/mo
Unlimited everything, concierge migration for every production. For production companies.
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Producer Command Center
Signed in as
User Name
Current Status
Standby
Now
N/A
Next
N/A
Take
-- · MOS · auto
Camera Roll
--
Sound Roll
--
Connection
Checking…
All changes synced
Signed in as
User Name
Date
NOW
NEXT
Standby
Wrap Time:
Next Call Time:
Circled takes
Match the slate — these feed notes, the report, and circled (good) takes.
Now
Next
All changes synced
Call Time:
Lunch Time:
Second Meal:
Weather:
N/A
Sunrise / Set:
N/A / N/A
Published version:
Not yet published
Confirmations:
—
Perimeter activity
Current Location:
Contacts:
Wi-Fi:
Parking:
Location Manager:
Nearest Hospital:
Police (non-emergency):
No site map set.
Save default recipients for safety log email exports.
Used by the “Email Production Log” shortcut in the daily report.
Enter a valid email address or leave blank.
Used by the “Email Compliance Log” shortcut in the daily report.
Enter a valid email address or leave blank.
Safety log emails will use the saved recipients above. Leave an address blank to enter it manually when emailing.
Generate shoot reports or apply saved templates from one place.
Project admins manage every shoot in this project (they inherit shoot super-admin) and can manage the project itself — but not billing.
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Choose the columns that contain general call sheet information. Leave a field unmapped to skip it.
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Select a saved template to apply to this shoot. Existing departments, cast & crew, links, and comms will be replaced.
How timestamps render for everyone on this shoot — the zone is noted next to every time.
Draw the fence around the set. Anyone who opts in — crew or gate-QR visitors — gets an on-device alert when they cross it, and ADs see the crossing. Locations are never tracked; only crossings are recorded.
No perimeter set.
Most office printers (HP ePrint, Epson Connect…) have an email address — "Send to printer" emails the call sheet straight to paper.
"Text the perimeter list" composes a group SMS from your phone to these numbers plus any textable roster contacts. Stored privately (admins only).
Every status change POSTs { shootId, status, baseStatus, color, ts } to
this HTTPS URL — wire it to Home Assistant, Node-RED, or a DMX bridge to drive any light
brand SetDots doesn't speak natively.
Sent with every webhook call as the X-SetDots-Secret header so your
receiver can reject anyone else's requests.
Every release names this party. Leave blank to use the project name — or put your production company's legal name here (e.g. "Eat Your Heart Out LLC") if the paperwork should name it instead.
Paste your production's own release text here if legal or your insurer requires specific wording. This applies to the appearance release — the location, materials, and NDA forms use their built-in standard wording. Every signature records exactly which version of the text was signed, even if you change it later.
Drive a LIFX bulb from this shoot's status. Get your API token →
Optional — get a free key in the Govee Home app (Profile → Settings → Apply for API Key). Each zone below picks its own brand, so you can mix LIFX and Govee on one set.
A zone is a set of lights/groups that either follows every status or lights up only for chosen statuses — e.g. entrance lamps on Rolling, crafty on Break.
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Download everything SetDots holds about you, or permanently delete your account.
This permanently deletes your account and erases your personal data. It cannot be undone.
Grant free/evaluation accounts, revoke them, or disable problem accounts. Users must sign in once before they appear here.
Search for a user to manage their account.
Live snapshot across all accounts. Revenue excludes comped and internal (@setdots.com) accounts.
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Recent client-side runtime errors reported by the app (rate-limited per session). Use these to catch regressions in production.
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An append-only record of changes to this project — new shoots, archiving, renames, and admin changes.
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Choose a range and tap Generate to see live metrics across every project you own or manage.
Saving empty text clears the entry. Changes are logged.
Records your current map location, the time, and your name. Logged to the status log.
Upload StudioBinder's shooting schedule (PDF or PNG) or stripboard CSV export. Every schedule day becomes a shoot day here, with its scenes placed on the Board. Read the switch-in-a-weekend playbook.
What name should the crew see next to your messages?
Send the current call sheet to your crew. Pick recipients from the roster, or add addresses below.
Default cards granted when you give a department head Editor access. These apply account-wide; you can still adjust any grant per shoot from Manage Admins.
An unexpected error occurred.
Scan this QR code to join the shoot.
Print the gate sign — Letter for the office printer, poster sizes as PDFs for a sign shop.
Tap any signature to open a printable copy of exactly what that person signed.
You're in an active filming area. Please read below — signing comes on the next screen.
Start Time:
Wrap Time:
Total Shots:
Completed Shots:
Pages Shot: --
Setups: --
Paste your crew list from any spreadsheet or call sheet — StudioBinder, SetHero, Google Sheets, Excel — or type plain lines like Jane Doe — Gaffer — jane@example.com — 555-0100. A CSV or PDF call sheet works too. Job titles are matched to SetDots roles automatically, cast numbers are kept, and people already on the roster are skipped.
Find your name below and tap That's me. Claiming links this spot to your account, so your call times, your role's view of the day, and your profile follow you — on this production and every one after it.
Claimed the wrong spot, or don't see your name? Ask anyone running the shoot — they can fix the crew list in seconds.
A working shoot in a few minutes. Start with the names — everything here becomes real data: the Director and DP go straight onto the crew list.
Paste your crew from anywhere — a spreadsheet, a call sheet, another tool. Or skip and add people later.
Pick what this production needs — everything can be changed later in Settings.
Next: open the shoot to share the crew QR code, print the gate sign, and onboard your department heads — the dashboard's readiness meter will walk you through what's left.
Sets their department role (which persona dashboard they get), grants their access level, and emails them a link to the shoot — in one step.